Alexander Payne is as reliable as Pixar and Christopher Nolan, but he's not quite as prolific and he works on a much smaller scale. His track record as a writer-director is virtually flawless, with a filmography that includes
Citizen Ruth, Election,
About Schmidt,
Sideways, and, in 2011,
The Descendants.
The only unfortunate thing about Payne's work is that there's not enough of it. Those five movies are the sum total of the features he's directed in his 15-year career. His last movie before this one
, Sideways, came out nearly eight years ago. I have to admit, before the trailers for
The Descendants started showing up online several months ago, I had kinda forgotten about him.
His movies tend to circulate around less-than-heroic figures, below-average Joes whose troubles are common and familiar and, more often than not, self-inflicted. Most of his protagonists tend to middle-aged men -- or, in the case of
About Schmidt, a older-than-middle-aged man -- who are coming to terms with the disappointing lives they've created for themselves. While this is hardly a unique approach for modern cinematic storytelling, Payne's sincere affection for each of the schlubs he's created, even when they don't deserve it, is always refreshing. It's easy to create a loser just to make fun of him. But, that's not how Payne works.
The Descendants is a dramedy staring George Clooney as Matt King, a 40-something lawyer with a wife in a coma who is also a descendant of one of the first white land-owners in Hawaii. As the story unfolds, King is forced to deal with the shortcomings of his relationships with his wife and two daughters as well as decide for his extended family whether to sell their last tract of land to a developer. These two trials, while seemingly unrelated, become entangled in one another until, in the end, it becomes clear that they are, in fact, one in the same.
But, I'm getting ahead of myself.