Showing posts with label Pixar. Show all posts
Showing posts with label Pixar. Show all posts

Thursday, June 28, 2012

In Theaters: Brave ***1/2


For me, Pixar movies are like Pearl Jam albums* -- I'm excited for every single one of them to come out I'm constantly ranking them all in my head.  Apparently, I'm not alone because it seems as though every discussion of Pixar's latest film, Brave, inevitably turns into a debate over where the movie fits into the studio's hierarchy of greatness.     


So, let's get that out of the way.  Brave falls pretty much right in the middle of the Pixar pack.  It's not as good as Wall-E or Finding Nemo, but it's better than A Bug's Life and Monsters, Inc.  Basically, it's in the same territory as Up or the first Toy Story movie.  


For those of you that are now compiling your own Pixar rankings, please stop trying to convince yourself that The Incredibles belongs near the top...it's good, but it's not that good.


Anyway, moving on.


Much has been made of the fact that Brave is Pixar's first movie with a female protagonist.  I think that's great.  But, it's also their first real journey into familiar territory.  I had anything you could call a complaint about this movie it would be that the studio seems to have made this movie with one creative arm tied around its back.


The folks at Pixar, having made a pact with Satan that ensures that every one of their movies will be amazing, have been most successful when they've ignored convention and taken risks with creative storytelling.  But, Brave is essentially a new entry into the Disney pantheon of animated princesses.  It has much of the same emotional impact of Pixar's best work -- the trademark whimsy and loving attention to character arcs and development -- and it's as visually stunning as anything they've made.  But, it just doesn't break much new ground in terms of the story.  


The movie tells the story of Merida, a Scottish princess longing to escape the trappings of her royal life.  She's an ace with a bow and arrow and an accomplished horseback rider.  Yet, she's trapped by her mother's insistence that she abide by tradition, particularly the tradition of arranged marriage.


You basically can get all that from the trailer.  There are major elements to the story that are only hinted to in the previews and I won't spoil them here.  However, with the exception of one major plot-twist, the story unfolds in a more or less predictable manner.  But, in the end, the journey is more important than the destination.  And, though you can see almost everything coming from a mile away, every step the movie takes to get there is immensely enjoyable.


I feel like I'm cutting this off short, but, honestly, the studio has done such a good job of keeping from spoiling the major plot developments that I'd feel like it'd ruin it for others if I were to say much more.  


Ultimately, the only negative thing I can say about Brave is that it's not as good as other movies.  That's weak criticism, I suppose, and the worst kind of nit-pickery.  But, let's face it, Pixar brought this kind of criticism upon itself.


*Yes, I'm well aware that Pearl Jam is no longer in vogue among today's hipster intelligentsia.  Get over it...they're awesome.  



Sunday, April 15, 2012

In Theaters: John Carter **


Let me get something out of the way.  I wanted to like this movie.  When the trailers started coming out and people were expressing skepticism, I assured them that John Carter was going to be awesome.  And, when the stories about the film's enormous budget started leaking out of the studio, I kept saying "Don't worry...they said the same thing about Titanic."  No matter how weird or unfamiliar it all seemed, John Carter was a sure thing in my mind.

I can explain my previous naivete in two words:  Andrew Stanton.

This guy is one of the most successful and brilliant minds in the movie business.  He's one of the main writers and directors at Pixar, meaning that, at least at one point, he had a pact with Satan that ensured every thing he touched was creative and commercial gold.  He was a writer on the Toy Story movies and the last two movies he directed were Finding Nemo and Wall-E,  two immortal classics.  Yet, when Disney gave him the reins on a live action would-be blockbuster, he choked.

Thursday, January 26, 2012

Best of 2011: #5 Win Win


Remember what I said about Alexander Payne and his perfect, Pixar-like record?  That he was as reliable as Christopher Nolan?  Well, it's late at night, I'm tired, and I'm suffering from a minor case of writer's block.  Now, I'm wishing that I had saved that description to talk about Thomas McCarthy, the director of Win Win.

But, I don't want to plagiarize myself.  So...let me start over.

Wednesday, January 18, 2012

Best of 2011: #7 Rango


This was a strange film. 

Let me try to describe it for those who haven't seen it.  Imagine that Coen Brothers took over Pixar, then watched a bunch of Clint Eastwood movies while eating some bad pizza and then wrote down the plot to the dreams they had that night.  The movie resulting from this hypothetical dream-script would likely resemble Rango.